<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
  xmlns:dc="http://purl.org/dc/elements/1.1/"
  xmlns:atom="http://www.w3.org/2005/Atom">
  <channel>
    <title>Crack Mag — Stage &amp; Screen</title>
    <link>https://crackmag.com/stage-screen/</link>
    <description>Actors, theatre, casting, indie film, series roles — the acting craft and its business</description>
    <language>en-US</language>
    <lastBuildDate>Tue, 01 Sep 2026 04:37:46 GMT</lastBuildDate>
    <atom:link href="https://crackmag.com/stage-screen/feed.xml" rel="self" type="application/rss+xml" />
    <category>Stage &amp; Screen</category>
    <item>
      <title>Drama School Math: What Training Costs, What It Certifies, and Who It Pays Back</title>
      <link>https://crackmag.com/stage-screen/drama-school-worth-it-costs/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/drama-school-worth-it-costs/</guid>
      <description><![CDATA[Drama school math: $200,000 BFA sticker prices against $30-an-hour median actor earnings — costs, outcomes data and the alternatives that work.]]></description>
      <pubDate>Sat, 01 Aug 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/a0af36086f859759c56c1cc6/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>What Casting Directors Actually Do — and How Actors Get on Their Radar</title>
      <link>https://crackmag.com/stage-screen/casting-directors-explained/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/casting-directors-explained/</guid>
      <description><![CDATA[Casting directors explained: the vendor role, agent dynamics, how unrepresented actors get seen and the casting Oscar arriving in 2028.]]></description>
      <pubDate>Thu, 09 Jul 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/ee327df2e1deb2b03ec01ea8/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>Inside the Writers Room: Staffing, Hierarchy and How a Season Actually Gets Written</title>
      <link>https://crackmag.com/stage-screen/tv-writers-room-how-it-works/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/tv-writers-room-how-it-works/</guid>
      <description><![CDATA[How a TV season gets written: the room's hierarchy, episode assignments, mini-rooms and the 2023 WGA contract changes that reshaped the job.]]></description>
      <pubDate>Tue, 16 Jun 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/67a8bcca9a1c932bc87ab8e5/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>The Festival Ladder: How an Indie Film Climbs From Regional Screen to Sales Deal</title>
      <link>https://crackmag.com/stage-screen/film-festival-strategy-indie/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/film-festival-strategy-indie/</guid>
      <description><![CDATA[Festival strategy is distribution strategy: premiere rules, the calendar waves, what sales agents need and how festival acquisitions actually close.]]></description>
      <pubDate>Mon, 25 May 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/d49d4b8d325db5e84c37517f/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>How Indie Films Get Financed: Equity, Presales and the Incentive Stack</title>
      <link>https://crackmag.com/stage-screen/indie-film-financing-explained/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/indie-film-financing-explained/</guid>
      <description><![CDATA[How independent films get financed: tax credits, foreign presales, gap loans, equity and the recoupment waterfall behind a $3 million feature.]]></description>
      <pubDate>Sat, 02 May 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/c71e5994dc6f5afefda6c5e4/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>Voice Acting Careers: What a Booth Session, a Demo and a Deal Actually Look Like</title>
      <link>https://crackmag.com/stage-screen/voice-acting-career-guide/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/voice-acting-career-guide/</guid>
      <description><![CDATA[Voice acting careers explained: animation, games, commercials and audiobook rates, demo standards and the AI consent rules reshaping voice work.]]></description>
      <pubDate>Thu, 09 Apr 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/b28d5fe51197e55ffd499a97/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>How Stunt Performers Build a Career on Controlled Risk</title>
      <link>https://crackmag.com/stage-screen/stunt-performer-career-path/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/stunt-performer-career-path/</guid>
      <description><![CDATA[How stunt performers build careers: specialties, scale rates, safety culture and the stunt design Oscar arriving at the 2028 ceremony.]]></description>
      <pubDate>Tue, 17 Mar 2026 04:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/3a42c9ffa28ac60aaefcfd18/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>Motion Capture Acting: The Performance Inside the Marker Suit</title>
      <link>https://crackmag.com/stage-screen/motion-capture-acting-careers/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/motion-capture-acting-careers/</guid>
      <description><![CDATA[How motion capture performers work and get paid: capture stages, face rigs, the 2023 SAG-AFTRA game agreement and digital replica consent rules.]]></description>
      <pubDate>Mon, 23 Feb 2026 05:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/adc20d91b01f068537546b87/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>Stage Acting Versus Camera Acting: Why the Same Skill Pays Two Different Ways</title>
      <link>https://crackmag.com/stage-screen/theatre-versus-camera-acting/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/theatre-versus-camera-acting/</guid>
      <description><![CDATA[Theatre and camera acting share one instrument but two markets — projection, continuity, Equity weekly minimums and SAG-AFTRA day rates compared.]]></description>
      <pubDate>Sat, 31 Jan 2026 05:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/20e45a6906cdd25fd80b0d11/1200w.webp" type="image/jpeg" length="0" />
    </item>
    <item>
      <title>Casting Sides, Callbacks and the Six People Who Decide Your Fate</title>
      <link>https://crackmag.com/stage-screen/casting-sides-audition-mechanics/</link>
      <guid isPermaLink="true">https://crackmag.com/stage-screen/casting-sides-audition-mechanics/</guid>
      <description><![CDATA[How film and TV casting actually runs: breakdowns, self-tapes, callbacks and screen tests — and who makes the final call at each stage.]]></description>
      <pubDate>Thu, 08 Jan 2026 05:00:00 GMT</pubDate>
      <dc:creator>Marco Bellandi</dc:creator>
      <category>Stage &amp; Screen</category>
      <enclosure url="https://nyc3.digitaloceanspaces.com/vuga/articles/images/5f4388d15c679c019da83623/1200w.webp" type="image/jpeg" length="0" />
    </item>
  </channel>
</rss>